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Now, back in your editing window, hit Command‑A to select all of the data in your sequence, and do a quick check of where the selection region ends, as this will also determine where the last track of the CD ends.ĥ. In the dialogue box, tick the Custom Pre‑gap box and enter a value of 0:00:02.00 in the time field. To do this, open the Markers window (Shift‑K or from the Project menu), select the marker corresponding to CD track one, and from the Markers mini‑menu choose 'Set Marker/Streamer Options'. This means setting a pre‑gap time (more about this in a moment) of exactly two seconds for track one. If the CD you're about to burn is ever passed to a CD replication company it'll need to conform to the Red Book standard. Make sure you also have a marker where you want CD track one to begin (ie. These are essentially your CD track starts.Ģ. After you've applied any necessary edits and fades, work your way through the sequence, adding a marker (Control‑M, or drag from the marker 'well' at top right of the window) perhaps a second or so before every song begins.
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In the Sequence Editor or Tracks Overview window, proceed as follows:ġ. You want to burn a CD with a new track for every song in the live set.Ī straightforward way to achieve this is to base the CD burn on marker locations: markers are easy to write, simple to adjust, and give us an important additional option, as we'll see in a minute. The Concert CDįor this example, imagine that a live concert has been recorded as a multitrack project, with a few very long soundbites split over several tracks. To show how it works in action and illustrate the possibilities, I'll explain three common CD‑burning scenarios. MOTU have made it pretty straightforward, but in ensuring that there's enough flexibility to deal with anything you might want to achieve, there's a little room for initial confusion and a few tricks worth learning. Notice the dark track info panels, and the long pre‑gap setting for track 3. Here a concert recording is about to be burned, using markers to designate the position of the CD track starts. In a nutshell, the built‑in CD burning is delivered via the existing Bounce To Disk function, and it's the position of soundbites or markers (or both) in a sequence that determines where CD track starts occur. I rounded up the situation for DP4 and DP5 users in August and September 2007 ( /sos/aug07/articles/dpworkshop_0807.htm and /sos/sep07/articles/DPworkshop_0907.htm).ĭP6 changes all this, hugely simplifies the CD‑burning process, and is capable of handling even quite complex burning tasks.
#Motu digital performer 6 software#
Even when you do find CD‑burning software to suit you, you've traditionally had to employ some specific audio export techniques in DP to get album‑length or multiple track projects ready for burning.
![motu digital performer 6 motu digital performer 6](https://thumbs.static-thomann.de/thumb/orig/pics/bdb/524374/16442711_800.jpg)
Better software that produces Disk‑At‑Once CD‑Rs will generally cost you, and the few shareware options have their own limitations.
#Motu digital performer 6 mac#
Mac users get a free solution in the form of iTunes, but that offers very little in the way of flexibility and, more importantly, only burns so‑called Track‑At‑Once CDRs, which most CD replication companies won't accept. We talk you through the options.Īudio CD burning can sometimes be more of a hassle than it has any right to be. Digital Performer 6 hugely simplifies the task of CD burning, while at the same time allowing more complex burning tasks to be undertaken.